Showing posts with label limitations. Show all posts
Showing posts with label limitations. Show all posts
Tuesday, June 12, 2012
Simple
I want everything to be simple, but almost nothing is. Perhaps nothing is. It’s hard to say.
I have doubts about simplicity. Complexity rules, to the point of being confused with chaos, which is, I believe, an illusion. The concept of chaos is just a clever way of saying, “I can’t figure this out. I don’t know how this works. This is too complicated. I can’t keep track of the variables.” To which I say, “Big surprise there.”
But I get why we’re attracted to the concept of chaos. It kind of gets us off the hook. It’s a rationale for being comfortable with our limitations.
But life certainly feels like chaos a lot of the time.
People say, “I’m a simple person.” But they aren’t. They like to think they are, especially when they don’t want to deal with the complications. We want to be simple so we won’t have to expend the energy. We get too tired or too lazy or too disinterested to keep track of the calculations. Or they’re just beyond us. So we over simplify, you know, pretty much everything.
It’s a survival thing.
But complexity finds us: when morality won’t let us go, when problems rise up that we can’t solve with trite platitudes, when the doctors says, “I need you to come back in for some more tests.” When the simple answers don’t offer any solace.
Let me tell you: there’s nothing simple about life. And certainly not death or dying. Or human beings. God help us, the things we can do if we aren’t held back by something better than ourselves. The complexities of evil and the human heart are uncountable, unknowable. At least by us. Our hearts can be very dark. Caves. Black holes. Deny it all you want.
But it’s not all darkness, is it? What about love? Love is an amazing thing. But it’s not simple either. It’s very, very complicated. Too bright and pure to keep our eyes on for too long. Too complex to appreciate like we should. But, you give and take what you can and try to make it through the day. See a smile and smile back. Try to keep your cool when things get ugly around you. Look up at the stars and wonder. In awe. There is love in that sky.
We are fearfully and wonderfully made, planted on this little, green circle of soil and stone and water. A world so stunningly complex it leaves us without enough adjectives to adequately describe it. On top of that, we are conscious. We think, because we are. We are alive, floating in an immense, unfathomable universe. Space and time and matter, bound together to form all that is, yet like a grain of sand in the hand of God.
But there is a mark on the map of the universe. You are here. Breathe.
© LW Publishing 2011
Tuesday, June 8, 2010
Laying Down Tracks
I’ve been doing some recording. Finally. I have a hard earned set up for recording my songs so I can at least try to submit them to publishers. And I have to say that it’s really been fun so far. I have great friends helping me lay down the tracks, and they are doing a fantastic job. Things are going very slow, but fairly smooth. I only have a few hours a week to work on this stuff.
When you commit yourself to recording, and doing it as right as possible, it is also very hard work. You have to listen to it over and over ad nauseam. And you have to be very precise. You discover very quickly what your limitations are, as long as you have the ears to hear it. The recording doesn’t lie. It doesn’t try to flatter you. If what you played is good, it tells you that. If what you played is off, it tells you that. It is totally honest.
Kind of like a good friend. Maybe.
There are times in the process when I wish the recording would just be better than it is. I wish it would lie to me. I want to hit playback and somehow that fret buzz would disappear or that note would be spot on instead of being slightly off. But it IS slightly off, so I do it again. Almost there. Slightly off again in a different spot. Do it again. Slightly off somewhere else. Arrrrrrrrrrge!
Sure, there are tools for smoothing things out, and even the best of the pros use them, but they cost MONEEEY. And usually lots of it. But the thing is, there has to be some talent and precision there in the first place or you just end up with a mess no matter what. And don’t even get me started on what it takes to actually write a “good” song. Despite what you may have heard, the music business is not full of talentless people who are manufactured into presentability by studio tricks. Small imperfections and issues can be smoothed out, but garbage in almost always equals garbage out.
Kind of like life.
Some of the people working with me are in other bands that you might like. Check ‘em out if you’re interested...
My friend Greg is in a great cover band called “Ultra Violet.” They play around town. He also has a band called “Strawberry Alternative” doing his own songs. You can check that out here...
strawberryalternative.com
My friend Tom is in a few bands too. The one that plays out a lot is called “A Hundred Miles.” You can check them out at...
ahundredmilesmusic.com
Peace to you.
© LW Publishing 2010
When you commit yourself to recording, and doing it as right as possible, it is also very hard work. You have to listen to it over and over ad nauseam. And you have to be very precise. You discover very quickly what your limitations are, as long as you have the ears to hear it. The recording doesn’t lie. It doesn’t try to flatter you. If what you played is good, it tells you that. If what you played is off, it tells you that. It is totally honest.
Kind of like a good friend. Maybe.
There are times in the process when I wish the recording would just be better than it is. I wish it would lie to me. I want to hit playback and somehow that fret buzz would disappear or that note would be spot on instead of being slightly off. But it IS slightly off, so I do it again. Almost there. Slightly off again in a different spot. Do it again. Slightly off somewhere else. Arrrrrrrrrrge!
Sure, there are tools for smoothing things out, and even the best of the pros use them, but they cost MONEEEY. And usually lots of it. But the thing is, there has to be some talent and precision there in the first place or you just end up with a mess no matter what. And don’t even get me started on what it takes to actually write a “good” song. Despite what you may have heard, the music business is not full of talentless people who are manufactured into presentability by studio tricks. Small imperfections and issues can be smoothed out, but garbage in almost always equals garbage out.
Kind of like life.
Some of the people working with me are in other bands that you might like. Check ‘em out if you’re interested...
My friend Greg is in a great cover band called “Ultra Violet.” They play around town. He also has a band called “Strawberry Alternative” doing his own songs. You can check that out here...
strawberryalternative.com
My friend Tom is in a few bands too. The one that plays out a lot is called “A Hundred Miles.” You can check them out at...
ahundredmilesmusic.com
Peace to you.
© LW Publishing 2010
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