Showing posts with label lyric writing. Show all posts
Showing posts with label lyric writing. Show all posts

Tuesday, July 5, 2011

200


I just noticed that I’ve done around 200 posts. Yikes. This is getting serious. I must be really, really seriously serious about this. Which is funny because I don’t feel all that serious about it. It’s just something fun I like to do that helps a few people get to know me a little better. Seems to me that 200 is kind of a lot, considering I don't really write about anything in particular. Or non particular, for that matter. This isn't exactly what you could easily call a "definable" blog.

Like I’ve said before, I’m hoping that, someday, my kids will have this to read, and maybe even grand kids, who can say. I hope it helps them to understand me in some ways. I’m hoping it will show them my heart to some degree. There’s a lot more of me in these posts than you might guess at first.

I don’t know. Maybe my kids will find some encouragement here. Maybe they’ll be a little less critical about me when they realize I’m just a well meaning schmo doing what I can to love God and love people and make some kind of meaningful difference in this world.

Maybe.

Let me just say this to be clear.

I love you.



Peace to you.


© LW Publishing 2011

Influence


When I was working on my undergraduate degree at Eastern Michigan University, I had a writing class with a lit prof who was from Trinidad named Brenda Flanagan. She was an artistic type, a bit scattered, unpredictable, which goes with the territory, but she was also good at inspiring students to write something creative and real.

By “real” I don’t necessarily mean a heartrending saga of hopeless heroism. That’s what most people seem to think of these days when you say “real.” To be taken seriously you must be some kind of tortured soul. Which is fine, but it’s also very limiting. There is so much more to “real” than that. The word “authentic” is better. Joy, curiosity, laughter, simplicity, and so on and so forth. It’s all real, as long as it’s . . . authentic.

When we would present stories in class, Dr. Flanagan would listen, and she would comment in the margins of her copy, with simple words like “yes,” or “”what?” or “I don’t believe it.” The point was that it was either connecting with her or it wasn’t. It was seeming “real” to her or it wasn’t.

The thing I remember most about this prof was her love for the sound of words. She heard the spoken word, I think, like some of us hear music. And that was inspirational to me. I had already had a taste of this mind-set with the writings of Ray Bradbury, when I was younger, as well as Toni Morrison and E.L. Doctorow. Dr. Flanagan introduced me to Zora Neale Hurston, Langston Hughes and Ralph Ellison. It was like discovering treasure. She showed me that “real” is about the totality of a person coming out in what they write. It’s about the characters not being true to the author, but being true to themselves.

The reason she has come to mind is because, a while back, I stumbled onto some videos of her on youtube. She was doing some cultural exchange trips for the state department in former Soviet controlled countries, reading some of her poetry and I suppose doing workshops on African American lit. It was cool to see her doing her thing. After that, I went on Amazon and found a copy of her first book. When I knew her, it had been published in England, but not the States. I found a copy printed by the University of Michigan and I’m reading it now.

It has lots of flave-ah. The words roll around in your head. Smooth like.

And it has all made me think about how someone who is passionate can influence others in so many ways. It all adds up, these people who care enough to talk things through and make us think outside the box.

I’ve known people who kept spouting off about how they were going to change the world, but they were not doing much to change the life of one single person for the better. Helping one person seemed to be beneath them in some way. At least according to their own way of thinking.

I’d trade a dozen of those arrogant, so called “world changers” for one or two humble and influential life changers any day.

Peace to you.



© LW Publishing 2011

Saturday, May 28, 2011

Anti-ist Art


 I have, for many years now, enjoyed the writing of author Toni Morrison. Her work, in general, is powerful stuff. It’s not for wimps. It is visceral and visual and challenging. It provokes the reader in complex ways. I could read her novel Beloved over and over. Reading this book is like watching a great dancer, at the top of their craft, or like listening to a great musician who plays effortlessly, demonstrating years of care and dedication.

The only book of hers I haven’t read yet is a book called “Paradise.” I was looking to find out a little about it online and came across an interview at Salon. The interviewer says: "Paradise" has been called a "feminist" novel. Would you agree with that?

Her response was this: Not at all. I would never write any "ist." I don't write "ist" novels.

I’m sure she would add -ism, -ian, and a few other suffixes to the list as well.

For me, that is one of the best responses she could have possibly given. And it’s true. While others have continuously tried to categorize and package her writing, to claim it for some cause, she forges ahead, past preconceptions, to speak with a totally original voice in a way that begs questions and makes the reader think. That is, if they are willing to think.

If only more artists would try to do the same.


Peace to you.



© LW Publishing 2011

Saturday, March 26, 2011

Gilligan's Pathos



I was watching an old episode of Gilligan’s Island with my kids. Overall, it’s not an especially good show, but it is still strangely compelling. The raw use of stereotypes to create comedy somehow draws you in. And then there's the lagoon. Man, when I was a kid, I loved the lagoon on Gilligan’s Island. How I wished I lived near that lagoon. Still do. But, I suppose, the real beauty of Gilligan’s Island was that you could watch it with your brain turned off. It’s oddly cathartic.

So imagine my surprise when I was watching it the other day, and I found a really poignant moment that had a lot to say about friendship. Who da thunk it?

In this episode, there’s a typhoon headed for the island, so they find a cave and, with no time to spare, they realize there isn’t enough room for all of them. What to do? The men quickly draw straws and Gilligan gets the short straw, which means he has to wait it out in the storm, tied to a tree. Then the Skipper realizes Gilligan broke his own straw to protect the others. The Skipper is moved by Gilligan’s bravery, and decides to go out into the storm and wait it out with Gilligan. Then the Professor decides the same thing. Then all of the castaways are out in the storm, holding onto one another, braving the typhoon together because it’s just not right to stay in the cave when your friends are out in the storm. It’s not right to be a coward when your friend is being a hero.

Skipper: Professor, I order you back in the cave!
Professor: After the storm.
Skipper: Look, I'm out here. I'll take care of Gilligan.
Professor: I know you can, so I'll take care of you.

This was on Gilligan’s Island? This episide, “Hi-Fi Gilligan,” was a nice piece of work, blending the slapstick comedy elements and the character elements really well. Come to find out, the episode was written by a woman named Mary C. McCall, Jr. Her real name was Mary McCall Bramson, and she was a founder and the first woman president of the Writer’s Guild of America. One of her screenplays for a movie called “The Fighting Sullivans” had been nominated for an academy award years before. It’s considered a classic war genre film. And this was her only episode for Gilligan’s Island.

They should have had her do more episodes.



Peace to you.




© LW Publishing 2011

Thursday, March 17, 2011

Listening Habits (c.03.2011)


Just found out that Paul Simon is releasing a new CD called “So Beautiful or So What.” There are only a few artists these days whose music I automatically buy right when they release it. Paul Simon is one of them. If he puts it out, I get it fast, I listen to it over and over again, and I spend time wondering why the rest of the world isn’t listening to it too.

Lately, for some reason, I’ve also been listening to some things I’m not exactly sure why I like. For over a year now I’ve been listening continually to this Chinese musician named “Mamer.” Peter Gabriel sent me an email telling me I’d like it, and he was right. I’m telling you, it’s great, great stuff. I have no idea what the guy is saying, his words are just part of the music to me, but the music is amazing.

Then there’s this “band” called “Owl City,” which is actually a guy named Adam Young. It’s overly processed on purpose, electronic stuff, which I usually can't stand. I didn’t much like Kraftwerk when they started all that stuff, and I’m hard pressed to enjoy much of that kind of music. But Owl City is a very fun bubble gum version of that, with really strong pop sensibilities, and it makes me feel good when I listen to it. Also, the imagery the guy uses in his lyrics is interesting. I heard he started by recording things at his house. Like I do.

For the most part I prefer more organic music. Less processed. I get excited about music that is carefully crafted, especially with real instruments played by gifted musicians. And if it has masterful lyric writing, well, that’s even better. Which brings me back to...

Paul Simon is a unique piece of work. He has no excuse being a pop star, but there he is. Stubby little genius with the odd, slightly warbly voice. If someone said, “You could write lyrics as good as Paul Simon but I’d have to take your left knee cap,” I’d have to spend some serious time talking myself out of it.

Some things are worth a limp.




Genesis 32:22-32
Peace to you.


© LW Publishing 2011