Showing posts with label the Beatles. Show all posts
Showing posts with label the Beatles. Show all posts
Tuesday, August 10, 2010
No Nonsense
Hey diddly high diddly high dee high dee hoooooooo.
Sha na na na na sha na na na na.
Oooooooooooweeeeeeoooooo.
I happened to notice the other day, for no particular reason, that in all of my song writing, I don’t think I have ever used nonsense syllables. I have written a lot of songs over the years. I couldn’t even tell you how many anymore. But, for some reason, I have not engaged in the common practice of nonsense syllables. I have never zip a dee doo dah’d. I have never bop sha bop’d or sh’boom’d on one of my songs.
Could there be something wrong with me?
It’s not that there’s anything wrong with nonsense syllables. Where would Doo Wop have been without the Doo or the Wop? The Beatles would have never koo koo ka choo’d. The Beach Boys would have had a lot less to say in the parking lot. And I don’t know how many singers and song writers still na na na and la la la their way through song after song.
But these things are conspicuously absent from my music, and I don’t know why. I have no idea. And I had not noticed until recently that it was the case. And I don’t know what to think about it. So I thought I’d just share it here, because what else do you do with such observations?
It all makes me wonder, who really did put the dip in the dip da dip da dip? Perhaps they could tutor me or something.
Peace to you.
© LW Publishing 2010
Thursday, February 25, 2010
Two Guys in a Band
I have been watching a DVD set that has the four appearances of the Beatles on the Ed Sullivan show back in 1964 and 1965. As Mr. Spock would say, it's "fascinating." They did three weeks in a row in February of ‘64, on their first trip to the States, then another week in September of ‘65. When this actually took place I was in diapers, enjoying Gerber’s fine products.
The three weeks in '64 are interesting. Ed Sullivan, the host, seems very nervous. He’s worried that the crowd of teenagers might erupt into something . . . rude? Dangerous? It’s hard to tell. But he’s pretty nervous. He keeps saying “be quiet” He had to get those commercials in.
On the first show John Lennon doesn’t sing lead on anything, which seems weird. John liked to be out front. But Paul sings all the leads. I wonder if John was sick? Maybe he had a cold and couldn’t sing so Paul took the lead? John makes up for it on the next two shows, singing most of the lead vocals. And his mic is up front, on an angle with George an Paul behind. This gave an interesting angle for the camera, but it also placed John prominently in front of the rest of the band.
And then there’s the show in September of ‘65. It’s a year and a half later but a lot of things are still the same. The crowd is still going gaga. Girls looking like they’re going to pass out, screaming like in a horror movie when the guy with the axe jumps out to chop up the girl. They scream and their hands come up next to their face. What is that? Ed Sullivan is still nervous that things might get out of hand. The audience still putting up with the other acts, just waiting for the Beatles to play.
Then the Beatles come out and you can tell that year and a half has passed. The hair is a little longer. And the way they play, you get the impression they’ve seen the Rolling Stones and feel threatened by the experience. The Stones first record was released in April of ‘64. But, whatever the reason, the Beatles rock harder. John is playing the Rickenbacker 325, painted black. Then Paul does “Yesterday” all by himself, which John doesn’t seem to like much. He makes an odd comment about it. He’s trying to be funny but he’s really just acting a bit strange. Is he nervous or just giddy from the experience? Is he on something?
But then they do another song, and during this song there’s a really great moment. John Lennon has moved back to sing in the same mic as Paul McCartney. Paul is on harmony. They’re into the song, and for just a second they make eye contact. Instantly they’re both grinning, as if the two of them are in on a private joke. And the joke seems to be this: Man. Can you believe this? Can you believe what’s happening to us? How did we get here? This is nuts, don’t you think?
Two young friends, in their early twenties, playing songs in a rock band, and suddenly it’s become something huge and impossible to account for. Somehow, they’re in America playing on a tremendously popular TV show with people screaming their names. And, somehow, they are the stars of the show.
When they look at each other like that, it’s a very sweet moment. Like kids on Christmas morning, they're amazed to be there and having the time of their lives. Not icons. Not rock stars. Not a piece of history. Just two guys who liked to play music together blown away by what their passion has led them to.
I think that moment says a lot about why the whole thing worked. It reveals the heart behind the songs that are still listened to by so many people. At least until the drugs and the egos started to get in the way.
They enjoyed what they were doing.
Peace to you.
© LW Publishing 2010
The three weeks in '64 are interesting. Ed Sullivan, the host, seems very nervous. He’s worried that the crowd of teenagers might erupt into something . . . rude? Dangerous? It’s hard to tell. But he’s pretty nervous. He keeps saying “be quiet” He had to get those commercials in.
On the first show John Lennon doesn’t sing lead on anything, which seems weird. John liked to be out front. But Paul sings all the leads. I wonder if John was sick? Maybe he had a cold and couldn’t sing so Paul took the lead? John makes up for it on the next two shows, singing most of the lead vocals. And his mic is up front, on an angle with George an Paul behind. This gave an interesting angle for the camera, but it also placed John prominently in front of the rest of the band.
And then there’s the show in September of ‘65. It’s a year and a half later but a lot of things are still the same. The crowd is still going gaga. Girls looking like they’re going to pass out, screaming like in a horror movie when the guy with the axe jumps out to chop up the girl. They scream and their hands come up next to their face. What is that? Ed Sullivan is still nervous that things might get out of hand. The audience still putting up with the other acts, just waiting for the Beatles to play.
Then the Beatles come out and you can tell that year and a half has passed. The hair is a little longer. And the way they play, you get the impression they’ve seen the Rolling Stones and feel threatened by the experience. The Stones first record was released in April of ‘64. But, whatever the reason, the Beatles rock harder. John is playing the Rickenbacker 325, painted black. Then Paul does “Yesterday” all by himself, which John doesn’t seem to like much. He makes an odd comment about it. He’s trying to be funny but he’s really just acting a bit strange. Is he nervous or just giddy from the experience? Is he on something?
But then they do another song, and during this song there’s a really great moment. John Lennon has moved back to sing in the same mic as Paul McCartney. Paul is on harmony. They’re into the song, and for just a second they make eye contact. Instantly they’re both grinning, as if the two of them are in on a private joke. And the joke seems to be this: Man. Can you believe this? Can you believe what’s happening to us? How did we get here? This is nuts, don’t you think?
Two young friends, in their early twenties, playing songs in a rock band, and suddenly it’s become something huge and impossible to account for. Somehow, they’re in America playing on a tremendously popular TV show with people screaming their names. And, somehow, they are the stars of the show.
When they look at each other like that, it’s a very sweet moment. Like kids on Christmas morning, they're amazed to be there and having the time of their lives. Not icons. Not rock stars. Not a piece of history. Just two guys who liked to play music together blown away by what their passion has led them to.
I think that moment says a lot about why the whole thing worked. It reveals the heart behind the songs that are still listened to by so many people. At least until the drugs and the egos started to get in the way.
They enjoyed what they were doing.
Peace to you.
© LW Publishing 2010
Labels:
Ed Sullivan,
friendship,
music,
Ringo,
rock,
the Beatles,
youth
Subscribe to:
Posts (Atom)
