Showing posts with label quality. Show all posts
Showing posts with label quality. Show all posts
Tuesday, March 8, 2011
Kitsch Me Baby One More Time
It makes me sad sometimes when I see someone apologizing for something they like because it isn’t cool or hip to like it. Just watch some people backtrack when they say they like a movie, and then someone else starts attacking, explaining why it was terrible. It’s easy to feel ashamed of liking something when others think it’s horrible or stupid. We think that means we’re stupid, because we like it, I supposed. But that’s a pile of nonsense.
I, myself, have always been inextricably drawn to some of the worst kinds of art and popular culture imaginable. And I am NOT sorry about it. It’s part of what makes me me.
Hey, I know good movies when I see them. Usually, anyway. I have spent time learning to understand the art of cinema. And I’ve read a lot of the classics. I’ve got a good sense of what makes for great music. For the most part, I can recognize the good stuff. I just don’t always know the bad stuff. In fact, a lot of the “bad” stuff just isn’t bad to me. I happen to like it.
I can watch Citizen Kane or Lawrence of Arabia or Sunrise, and enjoy every second. Then I can watch Teenagers From Outer Space or Invaders From Mars and enjoy every second. I can read masterpiece novels and enjoy every word, then immediately read some cheesy sci-fi hack piece and enjoy every word. I’ve always liked kitschy things, as far back as I can remember. Gumby and Gilligan’s Island and the Ghoul. I liked ALL of the Planet of the Apes movies. Elevator music. Donny and Marie. I even liked Elvis at his most Vegasy..
I think it’s not good that some people don’t appreciate higher or more complex forms of art simply because they don’t want to put in the effort it takes to understand and appreciate it. It’s a great loss. But it’s also not good to look down on other things simply because they lack a certain finesse, or they don’t measure up to something else.
It’s not that I don’t think there are bad novels or movies or music. I can't stand certain things. But sometimes we like things and it doesn't matter that it's bad. What makes something “bad” to me is not that it’s made cheaply or that it’s stupid or cheesy. Sometimes it's "bad" simply because it's corrupt. Or preachy. Or obvious. Or manipulative. Or who knows what. My first reaction to a lot of things is simply an emotional one. Some things click with me, while others don’t, and I don’t always know why. Do you?
If I like it, maybe it’s because it reminds me of something my mind has forgotten but my heart needs to remember. Maybe it makes me think. Maybe it taps me into feelings of childhood. Maybe I’m moved by the artistry of some things, the innocence of others, and perhaps the audacity of others, or perhaps it makes me feel like someone out there understands me. Maybe it’s all of those things and more.
Maybe I just like it...
Peace to you.
© LW Publishing 2011
Tuesday, June 8, 2010
Laying Down Tracks
I’ve been doing some recording. Finally. I have a hard earned set up for recording my songs so I can at least try to submit them to publishers. And I have to say that it’s really been fun so far. I have great friends helping me lay down the tracks, and they are doing a fantastic job. Things are going very slow, but fairly smooth. I only have a few hours a week to work on this stuff.
When you commit yourself to recording, and doing it as right as possible, it is also very hard work. You have to listen to it over and over ad nauseam. And you have to be very precise. You discover very quickly what your limitations are, as long as you have the ears to hear it. The recording doesn’t lie. It doesn’t try to flatter you. If what you played is good, it tells you that. If what you played is off, it tells you that. It is totally honest.
Kind of like a good friend. Maybe.
There are times in the process when I wish the recording would just be better than it is. I wish it would lie to me. I want to hit playback and somehow that fret buzz would disappear or that note would be spot on instead of being slightly off. But it IS slightly off, so I do it again. Almost there. Slightly off again in a different spot. Do it again. Slightly off somewhere else. Arrrrrrrrrrge!
Sure, there are tools for smoothing things out, and even the best of the pros use them, but they cost MONEEEY. And usually lots of it. But the thing is, there has to be some talent and precision there in the first place or you just end up with a mess no matter what. And don’t even get me started on what it takes to actually write a “good” song. Despite what you may have heard, the music business is not full of talentless people who are manufactured into presentability by studio tricks. Small imperfections and issues can be smoothed out, but garbage in almost always equals garbage out.
Kind of like life.
Some of the people working with me are in other bands that you might like. Check ‘em out if you’re interested...
My friend Greg is in a great cover band called “Ultra Violet.” They play around town. He also has a band called “Strawberry Alternative” doing his own songs. You can check that out here...
strawberryalternative.com
My friend Tom is in a few bands too. The one that plays out a lot is called “A Hundred Miles.” You can check them out at...
ahundredmilesmusic.com
Peace to you.
© LW Publishing 2010
When you commit yourself to recording, and doing it as right as possible, it is also very hard work. You have to listen to it over and over ad nauseam. And you have to be very precise. You discover very quickly what your limitations are, as long as you have the ears to hear it. The recording doesn’t lie. It doesn’t try to flatter you. If what you played is good, it tells you that. If what you played is off, it tells you that. It is totally honest.
Kind of like a good friend. Maybe.
There are times in the process when I wish the recording would just be better than it is. I wish it would lie to me. I want to hit playback and somehow that fret buzz would disappear or that note would be spot on instead of being slightly off. But it IS slightly off, so I do it again. Almost there. Slightly off again in a different spot. Do it again. Slightly off somewhere else. Arrrrrrrrrrge!
Sure, there are tools for smoothing things out, and even the best of the pros use them, but they cost MONEEEY. And usually lots of it. But the thing is, there has to be some talent and precision there in the first place or you just end up with a mess no matter what. And don’t even get me started on what it takes to actually write a “good” song. Despite what you may have heard, the music business is not full of talentless people who are manufactured into presentability by studio tricks. Small imperfections and issues can be smoothed out, but garbage in almost always equals garbage out.
Kind of like life.
Some of the people working with me are in other bands that you might like. Check ‘em out if you’re interested...
My friend Greg is in a great cover band called “Ultra Violet.” They play around town. He also has a band called “Strawberry Alternative” doing his own songs. You can check that out here...
strawberryalternative.com
My friend Tom is in a few bands too. The one that plays out a lot is called “A Hundred Miles.” You can check them out at...
ahundredmilesmusic.com
Peace to you.
© LW Publishing 2010
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