Showing posts with label recording. Show all posts
Showing posts with label recording. Show all posts
Tuesday, July 19, 2011
Squishing Out Songs
Late last night I was in the basement mixing a song that I’ve been working on. It’s a painful process in some ways. Some people compare it to giving birth, but that’s stupid. I have watched my wife give birth and suggesting that writing a song is comparable to that effort is the height of ignorance. But there is a kind of squishing, pushing, shoving, working to get this thing out of your mind and have it “work.” That’s my word for it. Some things “work” and some don’t. They fit, they click, they fill in the missing pieces: however you want to put it. There is this element of craft that is built on discipline, but it really blooms with the heart.
As I work on my songs, I have to compensate a lot for my weaknesses, and that can take up a lot of time. But things still come together. And when I hear them coming together, it makes me weep. I’m not kidding. I know it’s pathetic, but I have been a long time getting to this place.
Crafting songs is a challenge. I don’t think I would ever be totally satisfied, no matter what. I suppose I could have a world class producer, a multimillion dollar studio and a lot more ability than I have, and I’d still find things that just aren’t what they need to be. It’s kind of a curse. But I’m trying hard to learn to be satisfied, especially with my radically low end set up.
So far, I have three church songs that are basically finished. They need to be mastered, which I don’t know how to do. I also have a country song that’s been done for a while, but I frankly am not sure what to do with it. People I play it for like it, but I know nothing about the country market. And I have about 6 songs in the pipe, being developed and chipped away at, along with about 30 demos and some other pieces of things that aren’t whole yet. And then there's the backlog of probably 40 or 50 more songs that I haven't even started getting organized. Interestingly, so far they are all very different in a lot of ways. I don’t have a “sound” but I don’t especially want one. I’m not particularly looking to perform these myself. I’m hoping to have others do that.
When I say “craft” I really mean it. Not in the Harry Potter sense, but in the skilled trades sense. Like a carpenter. Like an artist who carves statues. Like a teacher trying to shape the mind of a student. Music and writing and a lot of other arts are, at their core, a craft that has to be developed and nurtured. Which takes time and patience and massive amounts of commitment.
Even the most absolutely pathetic pop stars are usually surrounded by excellent craftspeople. They wouldn’t ever release any music if they weren’t. I’ve got some people helping me that are way more than I deserve. Very gifted and willing to be there to get things done. Without them I’d probably only have one song up by now. And even with the great musicians, few of them have it all in themselves to get great things done.
Squishing out songs is a team effort.
Peace to you.
© LW Publishing 2011
Labels:
art,
challenges,
craft,
creativity,
music,
recording,
song writing,
teamwork
Tuesday, June 8, 2010
Laying Down Tracks
I’ve been doing some recording. Finally. I have a hard earned set up for recording my songs so I can at least try to submit them to publishers. And I have to say that it’s really been fun so far. I have great friends helping me lay down the tracks, and they are doing a fantastic job. Things are going very slow, but fairly smooth. I only have a few hours a week to work on this stuff.
When you commit yourself to recording, and doing it as right as possible, it is also very hard work. You have to listen to it over and over ad nauseam. And you have to be very precise. You discover very quickly what your limitations are, as long as you have the ears to hear it. The recording doesn’t lie. It doesn’t try to flatter you. If what you played is good, it tells you that. If what you played is off, it tells you that. It is totally honest.
Kind of like a good friend. Maybe.
There are times in the process when I wish the recording would just be better than it is. I wish it would lie to me. I want to hit playback and somehow that fret buzz would disappear or that note would be spot on instead of being slightly off. But it IS slightly off, so I do it again. Almost there. Slightly off again in a different spot. Do it again. Slightly off somewhere else. Arrrrrrrrrrge!
Sure, there are tools for smoothing things out, and even the best of the pros use them, but they cost MONEEEY. And usually lots of it. But the thing is, there has to be some talent and precision there in the first place or you just end up with a mess no matter what. And don’t even get me started on what it takes to actually write a “good” song. Despite what you may have heard, the music business is not full of talentless people who are manufactured into presentability by studio tricks. Small imperfections and issues can be smoothed out, but garbage in almost always equals garbage out.
Kind of like life.
Some of the people working with me are in other bands that you might like. Check ‘em out if you’re interested...
My friend Greg is in a great cover band called “Ultra Violet.” They play around town. He also has a band called “Strawberry Alternative” doing his own songs. You can check that out here...
strawberryalternative.com
My friend Tom is in a few bands too. The one that plays out a lot is called “A Hundred Miles.” You can check them out at...
ahundredmilesmusic.com
Peace to you.
© LW Publishing 2010
When you commit yourself to recording, and doing it as right as possible, it is also very hard work. You have to listen to it over and over ad nauseam. And you have to be very precise. You discover very quickly what your limitations are, as long as you have the ears to hear it. The recording doesn’t lie. It doesn’t try to flatter you. If what you played is good, it tells you that. If what you played is off, it tells you that. It is totally honest.
Kind of like a good friend. Maybe.
There are times in the process when I wish the recording would just be better than it is. I wish it would lie to me. I want to hit playback and somehow that fret buzz would disappear or that note would be spot on instead of being slightly off. But it IS slightly off, so I do it again. Almost there. Slightly off again in a different spot. Do it again. Slightly off somewhere else. Arrrrrrrrrrge!
Sure, there are tools for smoothing things out, and even the best of the pros use them, but they cost MONEEEY. And usually lots of it. But the thing is, there has to be some talent and precision there in the first place or you just end up with a mess no matter what. And don’t even get me started on what it takes to actually write a “good” song. Despite what you may have heard, the music business is not full of talentless people who are manufactured into presentability by studio tricks. Small imperfections and issues can be smoothed out, but garbage in almost always equals garbage out.
Kind of like life.
Some of the people working with me are in other bands that you might like. Check ‘em out if you’re interested...
My friend Greg is in a great cover band called “Ultra Violet.” They play around town. He also has a band called “Strawberry Alternative” doing his own songs. You can check that out here...
strawberryalternative.com
My friend Tom is in a few bands too. The one that plays out a lot is called “A Hundred Miles.” You can check them out at...
ahundredmilesmusic.com
Peace to you.
© LW Publishing 2010
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